Box Office Breakdown: Holiday Comes Early For Halloween
Posted by Veronica Santiago Categories: 20th Century Fox, FOCUS, MGM, Lionsgate, Paramount, Sony, Universal, Weinstein Company, Action, Drama, Family, Horror, Romance, Satire, Science Fiction, Sequels, Comedy, Sports, Thrillers, Box Office, Lists, New Releases,
Rob Zombie’s remake of the classic film, Halloween, scared up over $30 million this weekend smashing Transporter 2‘s 2005 achievement ($20 million). Additionally, the horror film’s record gross capped off a successful summer for films overall. With fifteen movies over the $100 million mark, the movie industry soared past $4 billion domestically.
Unfortunately, Jason Statham’s War did very little to contribute to this landmark achievement. While he may have been a record-setter two years ago, his latest outing is slowly dropping off the charts. Meanwhile, the weekend’s other two major openings—Balls of Fury and Death Sentence—fared decently enough to at least make a showing.
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Box Office Breakdown: Geeks Fight Off Statham, Jet Li
Posted by Veronica Santiago Categories: 20th Century Fox, Lionsgate, New Line, Paramount, Sony, Universal, Warner Bros, Weinstein Company, Action, Adaptation, Adventure, Drama, Foreign, Horror, Music, Musicals, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists, New Releases,
No, you are correct. Superbad is one of the few movies that has managed to stay at #1 for more than one week this summer. The movie that only cost $20 million to make now shares the Two-Timers title with Spider-Man 3 and Pirates Of The Caribbean: At World’s End. (And I’m guessing those movies cost a bit more to produce).
Not only did the high-schoolers hold back the action-packed War (starring Jason Statham and Jet Li), but so did the aging Bourne Ultimatum and British goof Rowan Atkinson (Mr. Bean’s Holiday).
Unfortunately, the Top 5 was so testosterone-laden that it didn’t leave any room for the film adaptation of The Nanny Diaries. I’m wondering if more women were eager to see that hunky Statham than be reminded of their bratty kids waiting at home…
1. Superbad, Sony, $18,044,369
2. The Bourne Ultimatum, Universal, $12,472,215
3. Rush Hour 3, New Line, $11,706,643
4. Mr. Bean’s Holiday, Universal, $9,889,780
5. War, Lionsgate, $9,820,089
6. The Nanny Diaries, Weinstein Co., $7,480,927
7. The Simpsons Movie, Fox, $4,317,689
8. Stardust, Paramount, $3,872,560
9. Hairspray, New Line, $3,265,384
10. The Invasion, Warner Bros, $3,093,428
Box Office Breakdown: It’s Super To Be Bad
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, New Line, Paramount, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Horror, Music, Musicals, Romance, Science Fiction, Sequels, Comedy, Thrillers, Books, Lists, New Releases,
The Judd Apatow train is bound to hit a roadblock at some point—but for the time being, it’s full steam ahead. Superbad opened impressively with over $30 million this weekend making it the third Apatow-related project in a row to accomplish this feat (the others being Talledega Nights and Knocked Up). This is, of course, not taking into consideration the uber-sleeper hit The 40-Year-Old Virgin.
Meanwhile, there was nothing super about Nicole Kidman’s latest outing. The Invasion, the latest version The Body Snatchers, scared up a dismal $5.9 million (and that’s despite Daniel Craig’s hunky presence). But I predict a much stronger outing for these two later this year with The Golden Compass.
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Superbad Gets Supergood Reviews
Posted by K.C. Morgan Categories: Columbia Pictures, Comedy, Upcoming Releases,
If you’ve somehow managed to miss the Superbad trailers that pepper every available hour of broadcasting, you just don’t watch enough TV. Superbad has a super-huge advertising budget, and no expense has been spared to show funny one-liners to TV viewing audiences. But…is it worth all the hype? Knocked Up star Seth Rogen co-wrote the flick and appears onscreen as a hilarious, out of shape police officer. Early reviews say that Superbad is indeed hilarious – but lacks the sweet sentiment that made Knocked Up such a hit.
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